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The Posthuman Future of Man

Anthropocentrism and the Other of Technology in Anglo-American Science Fiction

Bibliographic Data

ID6012215
AuthorsRalph Pordzik (corresponding author)
Year2012
Volume23
Issue1
Pages142-161
Publication date2012-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueUtopian Studies (JOURNAL)
Journal identifiersISSN: 1045-991X • E-ISSN: 2154-9648
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/utopianstudies.23.1.0142
OpenAlexW2125475893
LanguageEN
Citations received4
References cited8

Novels and short stories written since the last decades of the nineteenth century and employing discourses of technology have contributed to shaping the idea of the “posthuman condition” in the West to such a degree that some critics already feel entitled to announce the Age of the Posthuman. This essay interrogates some of the embarrassingly quixotic proposals of posthumanism, taking H. G. Wells's Time Machine (1895), William Gibson's Neuromancer (1984), and Margaret Atwood's Oryx and Crake (2004) as paradigmatic texts exploring patterns of mutation, virtuality, and bioengineering. In their concern for the apocalyptic and their sometime depiction of the glorious moment of Herculean victory over classical “human” man (or the “liberal subject”), these novels articulate the Western self's undaunted desire for the perfect Other, implying critical and even ironic gestures that question the propagation of a “new” human condition or the idea of absolute boundaries of the human

Aesthetics · Anthropocentrism · Art · Depiction · Dystopia · Environmental ethics · Literature · Posthuman · Posthumanism · Sociology · Gothic Literature and Media Analysis · Philosophy · Space Science and Extraterrestrial Life · Utopian, Dystopian, and Speculative Fiction

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Unique citing works4
Citations per year0,44
Citation span2017 - 2025 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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