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De-Contextualisation or Re-Contextualisation

Tibetan Buddhism in the Náprstek Museum

Bibliographic Data

ID6012433
AuthorsHelena Heroldová (corresponding author)
Year2017
Volume38
Issue2
Pages31-42
Publication date2017-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAnnals of the Náprstek Museum (JOURNAL)
Journal identifiersISSN: 0231-844X • E-ISSN: 2533-5685
PublisherNárodní Muzeum (National Museum, Prague) (PUBLISHER • CZ)
DOI10.1515/anpm-2017-0028
OpenAlexW2792730428
LanguageEN
References cited2

The study based on the preparation of Příběh Tibetu [ The Story of Tibet ] exhibition in the Náprstek Museum focuses on the de-contextualisation of Tibetan Buddhism objects in the museum setting. It deals with the stages of the decontextualisation process from the removing of the original material environment and social context to creation of new meanings in the museum. Namely it discusses aestheticisation and its relation to the art-gallery style exhibition

Aesthetics · Archaeology · Art · Art history · Buddhism · Context (archaeology · Exhibition · Relation (database · Sociology · Style (visual arts · Visual arts · Computer Science · Culinary Culture and Tourism · History · Museums and Cultural Heritage · Religious Tourism and Spaces

  • Tribal Art and Artifact

    Denis Dutton•Journal of Aesthetics and Art…•1993

  • Material culture and intercultural communication

    Open Access•Klaus Roth•International Journal of…•2001

Citation velocityhistorical
Highly citedNo

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