The Use and Significance of Ritual Bronzes in the Lingnan Region During the Eastern Zhou Period
Bibliographic Data
| ID | 6015063 |
|---|---|
| Authors | Lothar Von Falkenhausen (0009-0007-2037-5140, University of California, Los Angeles, corresponding author) |
| Year | 2001 |
| Volume | 3 |
| Issue | 1 |
| Pages | 193-236 |
| Publication date | 2001-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of East Asian Archaeology (JOURNAL) |
| Journal identifiers | ISSN: 1387-6813 • E-ISSN: 1568-5233 |
| Publisher | Brill (PUBLISHER • NL) |
| DOI | 10.1163/156852301100402804 |
| OpenAlex | W1983266639 |
| Language | EN |
| Citations received | 5 |
The paper examines bronze vessels and bells excavated from late Bronze Age elite tombs in Guangdong and Guangxi. Categorized stylistically, such objects represent diverse traditions of manufacture, including 1) that of the Zhou states in the Yellow and Yangzi river systems (especially of Chu), 2) those of the Zhou-related, but basically independent bronze manufacturing cultures along the Middle and Lower Yangzi (known to Chinese archaeology as the Wu and Yue cultures), 3) those of Southeast Asian Bronze Age cultures (proto-Dian, Dongso’n), and 4) that of emergent local Lingnan bronze-casting workshops. The frequency and distribution of objects pertaining to each of these traditions changed somewhat over time; the assemblages from the tombs at Yangjia, Gongcheng (Guangxi) and Songshan, Zhaoqing (Guangdong), representing, respectively, an earlier and a later stage of local development, are scrutinized in some detail.It is noted that, both in import and in local manufacture, the choice of bronze vessel types emphasizes functional equivalence with the indigenous ceramic inventory while evincing little if any awareness of the conventions governing the composition of Zhou ritual assemblages. Bronzes and ceramics appear to have been used in conjunction at ritual celebrations. Rather than documenting a process of acculturation, objects imported from the Zhou states were adapted to uses specific to Lingnan cultural contexts. One of their main roles probably consisted in serving as symbolic prestige items to be handled and displayed by their elite owners. The primary role of display is indicated also by the fact that locally-made bronze bells are musically useless, and that, differing from their northern prototypes, they are fashioned in such a way as to emphasize visually one side over the other. Adducing cross-cultural parallels, and dwelling upon some ideas stated by K.C. Chang in a 1975 article, the paper speculates about the probable role of the exchange of such artifacts and of their local emulation in the emergence of an indigenous elite. Such analysis may yield some insights into local historical developments during the centuries preceding the area’s incorporation into the Qin and Han empires
Ancient history · Archaeology · Art · Bronze · Bronze Age · China · Elite · Geography · Indigenous · Linguistics · Period (music · Politics · Prestige · Shang dynasty · Chinese history and philosophy · History · Japanese History and Culture · Vietnamese History and Culture Studies
Institutions and Environment in Ancient Southern East Asia (3000 BCE to 300 CE)
Frontiers and Boundaries
Representations and Uses of Yue Identity along the Southern Frontier of the Han, CA. 200–111 B.C.E
Bronze technology and metal resource circulation during the Han dynasty in the Lingnan Region
The Han Period Glass Dish From Lao Cai, Northern Vietnam
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2006 - 2026 (21) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 5 |