Grounded Cosmopolitans and the Bureaucratic Field
Musical Performance at Two Yogyakarta State Institutions
Bibliographic Data
| ID | 6015572 |
|---|---|
| Authors | Martin Richter (0000-0001-7958-7550, corresponding author) |
| Year | 2006 |
| Volume | 21 |
| Issue | 2 |
| Pages | 178-203 |
| Publication date | 2006-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Social Issues in Southeast Asia (JOURNAL) |
| Journal identifiers | ISSN: 0217-9520 • E-ISSN: 1793-2858 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/soj.2007.0006 |
| OpenAlex | W4254781805 |
| Language | EN |
| Citations received | 3 |
Drawing on ethnographic research in Yogyakarta (Indonesia) in 2001, this article discusses two musical events with clear political dimensions. It seeks to broaden the parameters of discussion on music and politics by engaging two theoretical perspectives. The first, Bourdieu's bureaucratic field, highlights various "species of capital"; the second, grounded cosmopolitanism, considers attitudes, practices, and outcomes not easily explained within a framework of political contestation. The cases explored are a campursari Awards Night at the Regional Parliament and a street music (musik jalanan) contest at the National Air Force Academy. While maintaining that musical performance cannot be reduced entirely to politics, the article concludes that the bureaucratic capital of physical force dominated the particular cases
Algorithm · Art · Bureaucracy · Field (mathematics · Musical · Political science · State (computer science · Visual arts · Asian Studies and History · Computer Science · Law · Mathematics
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2008 - 2017 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |