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The Impact of Political and Cultural Alterations on Crown Designs in the Herat School Paintings of the Timurid Period

Bibliographic Data

ID6017698
AuthorsFahimeh Saravani, Zekrollah Mohammadi, Hossein Sarhaddi-Dadian (0000-0002-0382-4836)
Year2024
Volume7
Issue2
Pages120-133
Publication date2024-10-01
Open AccessYes
TypeARTICLE
VenueAfghanistan (JOURNAL)
Journal identifiersISSN: 2399-357X • E-ISSN: 2399-3588
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/afg.2024.0130
OpenAlexW4404023637
LanguageEN
References cited3

A crown or headwear was considered one of the most important parts of clothing in the past. More than any other article of clothing, it expressed one’s social position and status. As a symbol of royalty in Iran, the design of crowns evolved over different historical periods. At times, it was used as a symbol to show power and authority. At others, it was as a symbol of the tyranny of mighty kings, and sometimes a symbol of luxury and aristocratic life. The Timurid period, with all of its political and social turbulence, is considered one of the most brilliant periods of painting, where new details and subjects appeared. This article investigates the role of crowns and headdresses with a historical descriptive method based on the existing library sources. It shows how the design of the crown in the paintings of the Timurid period was mostly influenced by cultural and religious factors. Timurid artists of the Herat school did not stick to the historical facts. Instead they sought to present an ideal image of the king, following the standards of the era, displaying slight differences in each period and reign

Aesthetics · Ancient history · Art · Crown (dentistry · Painting · Period (music · Political science · Politics · Visual arts · Architecture and Cultural Influences · Dentistry · Eurasian Exchange Networks · Historical and Architectural Studies · History · Law · Medicine

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Highly citedNo

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