The Social Role of African Music
Bibliographic Data
| ID | 6023154 |
|---|---|
| Authors | Hugh Tracey (corresponding author) |
| Year | 1954 |
| Volume | 53 |
| Issue | 212 |
| Pages | 234-241 |
| Publication date | 1954-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Affairs (JOURNAL) |
| Journal identifiers | ISSN: 0001-9909 • E-ISSN: 1468-2621 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/oxfordjournals.afraf.a094226 |
| OpenAlex | W2279683610 |
| Language | EN |
| Citations received | 8 |
The well-known South African collector of indigenous music visited Britain last autumn to collect funds for an international African music library to be organised by the African Music Society of Johannesburg. In the course of this mission, which was successful, Mr. Tracey gave a lecture demonstration to members of the International African Institute, Royal Empire Society and Royal African Society. We reproduce the remarks he then made, with an indication of the music he played
Ancient history · Art · Empire · Indigenous · Media studies · Political science · Sociology · Visual arts · Diverse Musicological Studies · History · Music History and Culture
Lord I'm Coming Home
Shembeism and the Rainbow Nation
The Societal Value of Art and Music in the Bapedi Culture and the Implications for Music in Healing as a Cultural Phenomenon
Dancing with Difference
Living for the City
Lord I'm Coming Home
L’arme du chant collectif au cœur du conflit biafrais
Patronage, Repression, and Co-Optation
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 1989 - 2021 (33) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |