African Cinema and its Criticism
Bibliographic Data
| ID | 6025484 |
|---|---|
| Authors | Jonathan Haynes (0000-0002-3529-6564, Long Island University, corresponding author) |
| Year | 2002 |
| Volume | 101 |
| Issue | 405 |
| Pages | 645-650 |
| Publication date | 2002-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Affairs (JOURNAL) |
| Journal identifiers | ISSN: 0001-9909 • E-ISSN: 1468-2621 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/afraf/101.405.645 |
| OpenAlex | W2028858935 |
| Language | EN |
Sembène: Imagining alternatives in film and fiction, by David Murphy. Oxford: James Currey and Trenton, NJ: Africa World Press, 2001. xi + 275 pp. £14.95 paperback. ISBN 0‐85255‐5555‐5. Symbolic Narratives/African Cinema: Audiences, theory and the moving image, edited by June Givanni. London: British Film Institute, 2000. xvi + 256 pp. £40.00 hardback. ISBN 0‐85170‐737‐8. African Cinemas: Decolonizing the gaze, by Olivier Barlet. London and New York: Zed Books, 2000. xii + 315 pp. £14.95 paperback. ISBN 1‐85649‐743‐7.
Art · Art history · Criticism · Film theory · Gaze · Literature · Media studies · Movie theater · Narrative · Psychoanalysis · Sociology · African history and culture studies · Anthropology · History · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |