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Identity imaged in history and story

Re/constructing the life of Abd‐al‐Karim, founder/renewer of Islam in Wadai, Chad

Dados Bibliográficos

ID6030239
AutoresKaren Haire Hoenig (autor correspondente)
Ano2007
Volume5
Fascículo3
Páginas313-330
Data de publicação2007-12-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoAfrican Identities (JOURNAL)
Identificadores do periódicoISSN: 1472-5843 • E-ISSN: 1472-5851
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14725840701597001
OpenAlexW1981307589
IdiomaEN
Referências citadas9

This study re/constructs, from the known written and oral sources, the life of the legendary Abd‐al‐Karim, founder of Islam and a new Wadai kingdom in Chad in the 1600s. In the spirit of postcolonialism, blurring the line between historical and literary accounts, one fictional account is included. Two research questions guide the analysis: how is the life of Abd‐al‐Karim imaged in history and story? and how does the 1970 oral corpus take back history and restore local agency? Vansina's oral history methodology, specifically the constructs ‘episode’ and ‘image’, inform the re/construction of Abd‐al‐Karim's life and Scheub's thesis that ‘the image evokes feeling’ informs discussion of the rhetorical power of selected images. From the analysis emerge images that tend, broadly speaking, to an African, an Arab/Islamic, or a European construction of identity for this historical figure. For example, positive images of black Africa, local initiative in the conversion process and the establishment of a royal family suggest tendency to an African construction of identity. Abassid ancestry, religious preparations and conversion imaged by itinerant preaching and teaching suggest tendency to an Islamic/Arab construction of identity, while images of political preparation and military action suggest tendency to a European construction of identity. Ancestry, history, language, geography and place, constructs integral to identity, were revised by oral informants, who engage the dominant cultures, Islam and Europe, but renegotiate identity, ultimately claiming a hybrid cultural identity for Abd–al–Karim. While they localise the legend and indigenise this culture hero, they simultaneously affirm Islam, claiming a religious identity that gives them a sense of global belonging

Aesthetics · Art · Art history · Islam · Legend · Literature · Political science · Politics · Religiosity · Religious identity · Sociology · Theology · African history and culture analysis · African history and culture studies · Gender Studies · Global Maritime and Colonial Histories · History · Law · Philosophy

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    Ali AlʼAmin Mazrui•Political values and the educated…•1978

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    Jan Vansina, Jan M Vansina•Oral Tradition As History•1985

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    Heinrich Barth•1857

  • The Cambridge History of Africa

    John D Fage, Michael Crowder•The Cambridge History of Africa•1979

  • Historical Dictionary of Chad

    Knut S Vikør, Samuel Decalo•The International Journal of…•1988

  • Culture and Imperialism

    Andrew J Pierre, Edward Said et al.•Foreign Affairs•1993

Velocidade de citaçãohistorical
Altamente citadoNão
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