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Fracture and suture

Ecological visions of Fágúnwà and Soyinka

Bibliographic Data

ID6030928
AuthorsAyo Adeduntan (University of Ibadan, corresponding author)
Year2023
Volume21
Issue1
Pages99-112
Publication date2023-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Identities (JOURNAL)
Journal identifiersISSN: 1472-5843 • E-ISSN: 1472-5851
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14725843.2020.1850234
OpenAlexW3112571539
LanguageEN
References cited9

The imaginative contiguity of Wole Soyinka to D.O. Fágúnwà goes beyond the former being a foremost translator of the latter. They are united by a vision that grants consciousness and agency to the non-human. Using Fágúnwà’s Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀ and Wole Soyinka’s A Dance of the Forests, this paper reflects on the authors’ engagement with the relation between humans and the wild, and the tension created from the encounter. Primarily, Fágúnwà’s Christian conviction creates a tentative hierarchy that assumes humanity’s dominion over the rest of creation. In the quest for personal and communal advancement, Fágúnwà’s protagonists’ breach and violation of the wild are presumed justified in the context of humanity’s pre-eminence. Soyinka challenges the moral basis of this claim to superiority. Relocated away from their comfort zone, humans of Soyinka’s play are made aware of their limitations as extra-human and non-human characters are called forth as witnesses to their guilt. However, Fágúnwà’s humans do occasionally come to a full knowledge of themselves as a limited species. Curiously in a converse manner, Soyinka’s humanist commitment ultimately normalizes speciesist violence as existential hurdles collateral to human creativity and survival

Fibrous joint · Geotechnical engineering · Political science · Sociology · Vision · African history and culture studies · Anthropology · Ecocriticism and Environmental Literature · Medicine · Postcolonial and Cultural Literary Studies · Anatomy · Geology

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Citation velocityhistorical
Highly citedNo

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