Reconciled pasts, fragile futures, parallel presents
Chronotopes and memory making inIsidingo
Bibliographic Data
| ID | 6031101 |
|---|---|
| Authors | Muff Andersson (University of the Witwatersrand, corresponding author) |
| Year | 2003 |
| Volume | 1 |
| Issue | 2 |
| Pages | 151-165 |
| Publication date | 2003-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Identities (JOURNAL) |
| Journal identifiers | ISSN: 1472-5843 • E-ISSN: 1472-5851 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1472584032000171258 |
| OpenAlex | W1979920020 |
| Language | EN |
| Citations received | 3 |
| References cited | 13 |
Since Isidingo debuted three years ago, the series has shyed (sic) away from the one-dimensional glamour and cliches of the traditional soapie, offering viewers instead a view of South African life
Aesthetics · Art · Economics · Futures contract · Media studies · Psychoanalysis · Sociology · Visual arts · African history and culture studies · Digital Games and Media · History · Media Studies and Communication · Psychology
Loving with a vengeance
Myth, literature and the African world
Fables and endless genealogies
The Last of the Empires
Television and Women's Culture
The Good Society and the Inner World
Provisional notes on the postcolony
From "The Avengers" to "Miami Vice
The Political Unconscious
Art, Dialogue and Outrage
The Banality of Power and the Aesthetics of Vulgarity in the Postcolony
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 2010 - 2021 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |