"Isabel Archer's "Delicious Pain
Charting Lacanian Desire in The Portrait of a Lady
Bibliographic Data
| ID | 6032723 |
|---|---|
| Authors | Phyllis Van Slyck (LaGuardia Community College, corresponding author) |
| Year | 2013 |
| Volume | 70 |
| Issue | 4 |
| Pages | 633-661 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American imago (JOURNAL) |
| Journal identifiers | ISSN: 0065-860X • E-ISSN: 1085-7931 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/aim.2013.0024 |
| OpenAlex | W2076037536 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
This essay offers a Lacanian reading of desire in Henry James's The Portrait of a Lady . Isabel Archer's discovery of love through the ideal image of herself that she finds mirrored in Gilbert Osmond's gaze reveals the foundational paradox of desire and betrays her unconscious quest for what Jacques Lacan defines as jouissance or "painful pleasure." Through her choices, Isabel tacitly embraces the death drive and thus confronts the irrevocable "lack" which constitutes the human condition. Her active role in the destruction of her ideal of coherence and autonomy, including her final decision to return to Osmond, defines her, avant la lettre , as a shattered post-humanist subject
Aesthetics · Art · Art history · Autonomy · Epistemology · Gaze · Humanism · Id, ego and super-ego · Ideal (ethics) · Pleasure · Pleasure principle · Portrait · Psychoanalysis · Reading (process) · Subject (documents) · Subjectivity · Unconscious mind · Contemporary Literature and Criticism · Gothic Literature and Media Analysis · Law · Modernist Literature and Criticism · Philosophy · Psychology
| Citations per year | 0.14 |
|---|---|
| Citation span | 2019 - 2019 (1) |
| Highly cited | No |