"Searching in the "Unsaid Seen
McLaughlin's Unfinished Reflections on the Place of the Body in Psychoanalytic Discourse
Bibliographic Data
| ID | 6032825 |
|---|---|
| Authors | William F Cornell (0000-0002-5817-6338, corresponding author) |
| Year | 2010 |
| Volume | 67 |
| Issue | 4 |
| Pages | 515-539 |
| Publication date | 2010-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American imago (JOURNAL) |
| Journal identifiers | ISSN: 0065-860X • E-ISSN: 1085-7931 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/aim.2010.0041 |
| OpenAlex | W2086774324 |
| Language | EN |
| References cited | 15 |
The meanings of bodily experience and nonverbal communication were subjects of intense interest and speculation to James McLaughlin throughout his writings. In spite of his decades-long challenges to psychoanalytic orthodoxy, he was never able to move fully beyond the theoretical biases toward the body promulgated by the classical and ego psychological cultures in which he was trained and practiced. This paper explores this unfinished aspect of McLaughlin's clinical work and his foreshadowing of the growing interest and understanding in contemporary psychoanalytic models of the centrality of nonverbal communication and sensate experience in psychic organization and interpersonal relations
Art · Literature · Psychoanalysis · Psychoanalytic theory · Unsaid · Philosophy · Poetry Analysis and Criticism · Pragmatism in Philosophy and Education · Psychoanalysis, Philosophy, and Politics · Psychology
Unformulated experience
The musical edge of therapeutic dialogue.
Beyond symbolizing
Stranger to Desire
Through the Glass Darkly
Touching Limits in the Analytic Dyad
Words that touch
The body in the analytic session
Nonverbal Aspects of Child and Adult Psychoanalysis
Nonverbal Communication in The Analysis of Adults
The Analyst and the Hippocratic Oath
Reconstruction Of Preverbal Experiences
When the Body Speaks
Nonverbal Behaviors in the Analytic Situation
Pathways of Emotional Communication
| Highly cited | No |
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