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Paint on Deer Stones of Mongolia

Bibliographic Data

ID6037331
AuthorsY N Esin (0000-0002-4291-3313, Khakass Institute of Business, corresponding author), Jérôme Magail (0000-0002-5768-0698), Chimiddorj Yeruul-Erdene (Mongolian Academy of Sciences), Jamiyan-Ombo Gantulga (0000-0001-6482-5579, Mongolian Academy of Sciences), J Gantulga
Year2017
Volume45
Issue3
Pages79-89
Publication date2017-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArchaeology Ethnology and Anthropology of Eurasia (JOURNAL)
Journal identifiersISSN: 1563-0110 • E-ISSN: 1531-832X
PublisherInstitute of Archaeology and Ethnography SB RAS (PUBLISHER)
DOI10.17746/1563-0110.2017.45.3.079-089
OpenAlexW2762974247
LanguageEN
Citations received4

This study focuses on traces of paint on stone stelae ("deer stones") of Mongolia, dating to late second to mid-fi rst millennia BC. Painting was made in various shades of red. In all cases, remains of paint were found on facets which had been protected from weathering because the stelae had collapsed or been reused. An additional protection might have been provided by a calcite crust formed where the stelae contacted the ground. Based on the role of painting in visual imagery, two groups of paintings are described: supportive (filling in the engraved fi gures) and independent. The first group is the largest. In terms of composition, stelae fall into two types: those whose front is on the narrow vertical facet, carrying images of deer in a Mongolian-Transbaikalian style, and those whose front is on the wide vertical facet, where the upper tier is separated, and neither deer nor belts with weapons are represented. The relative chronology of the two types is established by the fact that in certain instances, stelae of the fi rst type were reshaped into those of the second type. The fi rst type is related to funerary and memorial sites of the Khereksur and Deer Stone culture of Central Mongolia; the second, to burials of the Slab Grave culture. The tradition of decorating engraved fi gures with red mineral paint had originated among eastern Eurasian steppe pastoralists in the Early Bronze Age

Ancient history · Archaeology · Art · Chronology · Front (military · Geography · Painting · Style (visual arts · Visual arts · Ancient and Medieval Archaeology Studies · Archaeology and ancient environmental studies · History · Pleistocene-Era Hominins and Archaeology · Geology

  • Chariots in the Bronze Age of Central Mongolia based on the materials from the Khoid Tamir river valley

    Open Access•Y N Esin, Jérôme Magail et al.•Archaeological Research in Asia•2021

  • A new type of Early Iron Age stela from Tuva (Inner Asia)

    Open Access•Timur Sadykov, Jegor Blochin et al.•Archaeological Research in Asia•2024

  • Advancing Archaeological Research of the Mongolian Altai through the Scientific Study of Deer Stones

    Alexey A Tishkin•Asian perspectives•2020

  • Documenting carved stones by 3D modelling - Example of Mongolian deer stones

    Open Access•Fabrice Monna, Yury Esin et al.•Journal of Cultural Heritage•2018

Unique citing works4
Citations per year0,5
Citation span2018 - 2024 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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