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Wood Painting Tradition of the Upper Vychegda Komi in the Late 19th – First Quarter of the 20th Century1

Bibliographic Data

ID6037814
AuthorsV E Sharapov (0000-0003-0032-7081), I V Zemtsova, И В Земцова
Year2014
Volume42
Issue2
Pages119-125
Publication date2014-06-01
Open AccessYes
TypeARTICLE
VenueArchaeology Ethnology and Anthropology of Eurasia (JOURNAL)
Journal identifiersISSN: 1563-0110 • E-ISSN: 1531-832X
PublisherInstitute of Archaeology and Ethnography SB RAS (PUBLISHER)
DOI10.1016/j.aeae.2015.01.011
OpenAlexW2072088160
LanguageEN

Based on collections housed in the Russian Museum of Ethnography and the National Museum of the Komi Republic, as well as previously published materials and results of field studies from 1989–2013 in the Komi Republic, the article discusses the local ethnic traditions of peasant wood painting among the Upper Vychegda Komi Zyryans. These traditions were in practice at the turn of the 19th–20th centuries in the villages of Ust-Sysolsk and Yarensk Uezds of Vologda Guberniya (the modern Ust-Kulom and Kortkeros Regions of the Komi Republic). In particular, study addresses the decoration of the Upper Vychegda wooden distaffs and brakes. It is hypothesized that this decorative style originated from a blend of Finno-Ugric and Russian traditions in overlapping or adjoining regions of Russian, specifically Old- Believer, and Komi settlement. Painting technique, decoration, and coloring of artifacts from the area of Vychegda differ from those seen elsewhere in northern Russia or in the Kama region

Ancient history · Archaeology · Art history · Ethnography · Ethnology · Geography · Painting · Peasant · Quarter (Canadian coin · Settlement (finance · Style (visual arts · Ancient and Medieval Archaeology Studies · Linguistic and Cultural Studies · Public Spaces through Art · History

Highly citedNo

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