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Of Shanghai and Chinese cosmopolitanism

Bibliographic Data

ID6039558
AuthorsLynn Pan (corresponding author)
Year2009
Volume10
Issue3
Pages217-224
Publication date2009-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAsian Ethnicity (JOURNAL)
Journal identifiersISSN: 1463-1369 • E-ISSN: 1469-2953
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14631360903189542
OpenAlexW2078715984
LanguageEN
Citations received6
References cited1

Starting with the 2005 Chinese Heritage Centre exhibition `Chinese More or Less' (for which I wrote the storyboard) – specifically with that part of the exhibition that profiles diasporic Chinese exemplars of different ways of combining cosmopolitanism with Chineseness – this paper attempts to respond to questions raised by Anthony Reid, viz: whether my moving from diaspora to Shanghai comes of `Shanghai (re)joining the diasporic sense of Chinese modernity and post-modernity'; whether `the diaspora no longer seems quite so distinctive once China is again an open and cosmopolitan place'; and whether I am still a `Chinese Overseas' when I live in Shanghai

Aesthetics · Art · Art history · China · Cosmopolitanism · Diaspora · Exhibition · Media studies · Modernity · Political science · Sociology · Storyboard · Transnationality · Visual arts · Anthropology · Asian Culture and Media Studies · Diaspora, migration, transnational identity · Gender Studies · History · Law · Migration, Ethnicity, and Economy

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Unique citing works6
Citations per year0,55
Citation span2015 - 2022 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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