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Balinese cultural identity and global tourism

The Garuda Wisnu Kencana Cultural Park

Bibliographic Data

ID6039700
AuthorsBart Verheijen (0000-0001-6687-3101, Radboud University Nijmegen, corresponding author), I Nyoman Darma Putra (0000-0002-2852-7918, Faculty of Arts, University of Udayana, Denpasar, Indonesia)
Year2020
Volume21
Issue3
Pages425-442
Publication date2020-07-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAsian Ethnicity (JOURNAL)
Journal identifiersISSN: 1463-1369 • E-ISSN: 1469-2953
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14631369.2019.1641691
OpenAlexW2958942078
LanguageEN
Citations received12
References cited17

The island of Bali has been inextricably bound up with the tourism industry. This article examines the dynamic Balinese cultural identity and its ever changing relationship with tourism in the age of globalism through the analysis of a case study: the construction of the Garuda Wisnu Kencana Cultural Park (between 1993–2018), containing an enormous statue of the Hindu God Wisnu mounting the magical bird Garuda. The park and statue can be seen as a new cultural landmark for the Indonesian nation and for the Balinese tourism industry. However, the case study of the park also shows how Bali has changed its role within the Indonesian archipelago since the fall of the Suharto regime in 1998 while dealing with new challenges of global tourism. Representations of a Balinese cultural identity have evolved from national, top-down level constructions of ‘cultural tourism’ into a global tourist destination through hosting international events at the park

Aesthetics · Cultural identity · Political science · Tourism · Asian Studies and History · Cultural and Artistic Studies · Law · Socioeconomic Development in Asia

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Unique citing works12
Citations per year2
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 11

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