Cloaks and torsos
Image recognition, ethnography and male initiation events in the rock art of the Western Cape
Datos Bibliográficos
| ID | 6042292 |
|---|---|
| Autores | J Parkington (0000-0001-6127-6826, Department of Archaeology, University of Cape Town, Rondebosch 7700, Cape Town, South Africa, autor de correspondencia), Andrew Paterson (0000-0003-4857-3281, Department of Archaeology, University of Cape Town, Rondebosch 7700, Cape Town, South Africa) |
| Año | 2021 |
| Volumen | 56 |
| Número | 4 |
| Páginas | 463-481 |
| Fecha de publicación | 2021-10-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Azania Archaeological Research in Africa (JOURNAL) |
| Identificadores de la revista | ISSN: 0067-270X • E-ISSN: 1945-5534 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0067270x.2021.2030932 |
| OpenAlex | W4210368628 |
| Idioma | EN |
| Citas recibidas | 6 |
| Referencias citadas | 28 |
Ethnographers and anthropologists have noted that no examples of group male initiation rituals have been recorded among the southern San, although they are known to have taken place further north in Angola, Botswana and Namibia. A detailed rock painting in the southwestern Cape Cederberg, South Africa, is composed in such a way that we argue that it is evidence that ‘initiation camps’ for young men did also take place in the Cape and were recorded in painted form. Of critical importance to the understanding of the imagery is the relationship between male hunter, the eland as quintessential prey animal and the transformation of the skin of the eland torso into a worn cloak. We suggest that conventional depictions of cloaks, highlighting that transformation, were used to identify initiated figures whereas naked figures were to be understood as initiates or uninitiated. All human figures in this composition are, we submit, men by sex, by gender or by both. Under discussion is the recognition of imagery and the role of ethnographic evidence in such recognitions
Archaeology · Art · Cape · Ethnography · Ethnology · Geography · Rock art · Sociology · Visual arts · Anthropology · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology
People of the Eland
Archaeological approaches to the present
Women like meat
The Kung San
Shaman Images in San Rock Art
Beyond art
Past and Present in Hunter Gatherer Studies
The !Kung of Nyae Nyae
Hunters and Herders of Southern Africa
Rock-Paintings of 'Flying Buck
Trance Performance
Stone Age Myth and Magic
Rock Paintings of Southern Africa
Rock-Paintings of 'Eland-Fighting' and 'Eland-Jumping
Preliminary Report on the Koebee Rock Paintings, Western Cape Province, South Africa
Art on the Rocks of Southern Africa
Images of Power
Interpreting paintings without a commentary
The Eland's people
The Naron
The Khoisan Peoples of South Africa
Nets and fully recurved bows
Primordialism and the 'Pleistocene San' of southern Africa
Marriage among !Kung Bushmen
Not Animal, Notnot-animal
Cognitive and Optical Illusions in San Rock Art Research
Envisioning San History
| Obras citantes distintas | 6 |
|---|---|
| Citas por año | 1,5 |
| Intervalo de citas | 2022 - 2026 (5) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |