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Cave Art, Autism, and the Evolution of the Human Mind

Bibliographic Data

ID6044735
AuthorsNicholas Humphrey (0000-0002-4429-8270, New School, corresponding author)
Year1998
Volume8
Issue2
Pages165-191
Publication date1998-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCambridge Archaeological Journal (JOURNAL)
Journal identifiersISSN: 0959-7743 • E-ISSN: 1474-0540
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0959774300001827
OpenAlexW2118693467
LanguageEN
Citations received19
References cited22

The emergence of cave art in Europe about 30,000 years ago is widely believed to be evidence that by this time human beings had developed sophisticated capacities for symbolization and communication. However, comparison of the cave art with the drawings made by a young autistic girl, Nadia, reveals surprising similarities in content and style. Nadia, despite her graphic skills, was mentally defective and had virtually no language. I argue in the light of this comparison that the existence of the cave art cannot be the proof which it is usually assumed to be that the humans of the Upper Palaeolithic had essentially ‘modern’ minds

Archaeology · Art · Autism · Cave · Cave painting · Developmental psychology · Girl · Visual arts · Archaeology and Rock Art Studies · History · Multisensory perception and integration · Pleistocene-Era Hominins and Archaeology · Psychology

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  • Brain Disorder and Rock Art

    Open Access•R G Bednarik•Cambridge Archaeological Journal•2013

  • Autism, the Integrations of ‘Difference’ and the Origins of Modern Human Behaviour

    Open Access•P Spikins•Cambridge Archaeological Journal•2009

  • Shamanism and Brain Illness in Rock Art Production

    Open Access•R G Bednarik•Rock Art Research•2024

  • Hominins and the emergence of the modern human brain

    Alexandra A De Sousa, Alexandra De Sousa et al.•Evolution of the primate brain•2012

  • Artists have superior local and global processing abilities but show a preference for initially drawing globally

    Jordan E Drake, Ariana Riccio et al.•Psychology of Aesthetics…•2024

  • “Now You See it, Now You Don't”—Modern Human Behavior in the Middle Paleolithic

    Erella Hovers, A Belfer-Cohen•Transitions Before the Transition•2006

  • Autism and engagement with material culture

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  • Vision and visual experience in European Celtic Art

    Tanja Romankiewicz•World Archaeology•2020

  • How Do We Explain ‛Autistic Traits’ in European Upper Palaeolithic Art

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  • Seeing the ‘Unseen

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  • Cave mentem

    Anthony Kubiak•TDR/The Drama Review•2015

  • The Evolution of the Human Self

    Open Access•Mark R Leary, Nicole Buttermore et al.•Journal for the Theory of Social…•2003

  • Upper Paleolithic art, autism, and cognitive style

    Open Access•Karen Haworth, Karen A Haworth•Semiotica•2006

  • Bringing science to the study of ancient senses - archaeology and visual psychology

    P Pettitt, Lisa-Elen Meyering et al.•World Archaeology•2020

  • An Early Case of Color Symbolism

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    J David Lewis-Williams•Believing and seeing•1981

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    Robert Bégouën, Jean Clottes•Proceedings of the Prehistoric…•1991

  • The Signs of All Times

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  • The Human Symbolic Revolution

    Open Access•Chris Knight, C Power et al.•Cambridge Archaeological Journal•1995

  • Looking and learning

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Unique citing works19
Citations per year0,79
Citation span2002 - 2024 (23)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 14

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