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Art as Expressive Symbolism

Civic Portraits in Classical Athens

Bibliographic Data

ID6045231
AuthorsJeremy Tanner (0000-0003-4427-3839, Queens University of Charlotte, corresponding author), Jeremy J Tanner
Year1992
Volume2
Issue2
Pages167-190
Publication date1992-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCambridge Archaeological Journal (JOURNAL)
Journal identifiersISSN: 0959-7743 • E-ISSN: 1474-0540
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0959774300000573
OpenAlexW2100303153
LanguageEN
Citations received3
References cited19

An analysis of art-historians' and archaeologists' characterizations of art reveals two paradigms. In the earlier paradigm, art-historical appreciation and archaeological explanation were mutually exclusive, if mutually implicated, endeavours. In the more recent paradigm, art-history and archaeology converge in the interpretation of material-culture texts and eschew the explanation of broader social processes. An alternative characterization of art as expressive symbolism is advocated, drawing upon the sociological theory of Talcott Parsons. A case study of classical Greek portraiture shows how aesthetic innovation may contribute to the growth of social systems

Aesthetics · Art · Art history · Interpretation (philosophy · Linguistics · Portrait · Sociology · Anthropological Studies and Insights · Classical Antiquity Studies · Cultural Heritage Management and Preservation · History · Philosophy

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Unique citing works3
Citations per year0,12
Citation span2000 - 2002 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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