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Funerary Rites and the Undercurrents of Authoritarianism

The Cases of Zhu and Song

Bibliographic Data

ID6046086
AuthorsZhu Xiaoyang, Zhu Xiao-yang (corresponding author), Anita Chan (0009-0002-3187-3560)
Year2000
Volume33
Issue2
Pages29-72
Publication date2000-12-01
Open AccessNo
TypeARTICLE
VenueChinese Sociology & Anthropology (JOURNAL)
Journal identifiersISSN: 0009-4625 • E-ISSN: 1558-1004
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2753/csa0009-4625330229
OpenAlexW2083788666
LanguageEN

Practically every unit of every trade and profession in Beijing organized street demonstrations to support the students' hunger-strike petition in mid-May 1989. I was marching and shouting slogans along Chang'an Boulevard one day with a group from the Central Ministry of Radio and Television when a number of trucks filled with supporters drove up beside us. Judging from their work clothes they were from a suburban factory. I looked up and was suddenly confronted by two familiar images—the portraits of Mao Zedong and Zhou Enlai fluttering on two one-meter-square wooden boards. The two faces had been out of circulation for quite some time. My immediate reaction was to avoid looking at them. I wished they would vanish, or that nobody would see them. But the people around me made no comment about the reappearance of Mao and Zhou amid the demonstrators. The truck bearing the portraits rolled slowly down the crowded street

Art · Art history · Authoritarianism · Beijing · China · Christian ministry · Computer security · Democracy · Factory (object-oriented programming) · Media studies · nobody · Political science · Politics · Portrait · Sociology · Visual arts · China's Socioeconomic Reforms and Governance · Chinese history and philosophy · History · Law · Vietnamese History and Culture Studies

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