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Canadian Women Composers in Modernist Terrain

Violet Archer, Jean Coulthard and Barbara Pentland

Bibliographic Data

ID6047085
AuthorsJanet Henshaw Danielson (Université de Montréal, corresponding author)
Year2009
Volume19
Issue1
Pages57-70
Publication date2009-02-06
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCircuit Musiques contemporaines (JOURNAL)
Journal identifiersISSN: 1183-1693 • E-ISSN: 1488-9692
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/019934ar
OpenAlexW1590030426
LanguageEN
Citations received1
References cited15

The successful compositional careers of Jean Coulthard, Barbara Pentland, and Violet Archer spanned all but the first three decades of the twentieth century. Entering a compositional career at this time had many challenges: as Western Canadians, these composers had to establish their credibility with a public that could not be counted on to recognize the worth of their work due to sexist bias and a prevailing critical stance: public approval was evidence of a lack of true creativity. This was especially problematic for women, who had to keep to the center of progressive composition, away from the experimental and conservative margins, in order to gain recognition. Following World War II, the pressure of modernism increased, due at least in part to initiatives by the U. S. Government in occupied Germany, countering the stereotype of the unsophisticated American with a new narrative of American experimental tradition

Aesthetics · Art · Art history · Creativity · Credibility · Literature · Narrative · Political science · Sociology · Canadian Identity and History · Gender Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy

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Unique citing works1
Citations per year0,14
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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