Musical and Musicianly Listening in Intercultural Practice
Bibliographic Data
| ID | 6047258 |
|---|---|
| Authors | Stefan Östersjö (0000-0002-4704-5420, corresponding author) |
| Year | 2018 |
| Volume | 28 |
| Issue | 1 |
| Pages | 35-44 |
| Publication date | 2018-04-06 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Circuit Musiques contemporaines (JOURNAL) |
| Journal identifiers | ISSN: 1183-1693 • E-ISSN: 1488-9692 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/1044374ar |
| OpenAlex | W2800899510 |
| Language | EN |
| References cited | 7 |
This paper discusses the function of listening in intercultural musical collaboration, with reference to a number of examples taken from the author’s practice, within the Vietnamese/Swedish group The Six Tones. Through the lens of Pierre Schaeffer’s concepts of musical and musicianly listening, the paper suggests that intercultural exchange takes place in a liminal field between traditions. This demands a particular openness which can be developed by operating musicianly listening, a form of listening which actively seeks to “innovate in the facture of sound objects
Active listening · Aesthetics · Appreciative listening · Art · Liminality · Linguistics · Musical · Openness to experience · Sociology · Vietnamese · Visual arts · Communication · Diverse Music Education Insights · Diverse Musicological Studies · Mathematics · Music Technology and Sound Studies · Philosophy · Psychology · Social Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |