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But If It’s Not Music, What Is It? Defining Interstitial Artistic Practices

Bibliographic Data

ID6047741
AuthorsClément Canonne (0000-0003-2617-6971, corresponding author), Annelies Fryberger (0000-0002-0565-4201)
Year2020
Volume30
Issue1
Pages41-52
Publication date2020-05-07
Open AccessYes
TypeARTICLE
VenueCircuit Musiques contemporaines (JOURNAL)
Journal identifiersISSN: 1183-1693 • E-ISSN: 1488-9692
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1069082ar
OpenAlexW3028792031
LanguageEN
Citations received2
References cited4

We often think of art as structured in art worlds. But what lies between art worlds? Do we find spaces of undefined practices, or are interstitial practices also clearly defined? For this text, we interviewed 11 French artists with sound-based practices who situate themselves in the spaces where music overlaps with the visual arts, instrument building, performance art, and poetry. How do these artists define themselves, given that the available labels do not satisfy them? How do they actually use established categories when they do not want to make their artistic practice conform to them? Three positioning strategies came up recurrently in our interviews: so-called negative, additive, and generic definitional strategies. We show here that each of these definitional strategies implies related artistic choices, which make it possible for these artists to both legitimize their sense of belonging to an interstitial space and to use this belonging as a powerful means to develop a unique identity. Beyond a simple, sometimes superficial, refusal to be labeled, the strategies we identify appear to be the true markers of “interstitial” artists and their careers within and around art worlds

Aesthetics · Art · Fine art · Linguistics · Literature · Poetry · Sociology · The arts · Visual arts · Cultural Industries and Urban Development · Neuroscience and Music Perception · Philosophy · Social and Cultural Dynamics

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Citations per year0.67
Citation span2023 - 2024 (2)
Highly citedNo

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