The Vocal Music of Ana Sokolović
Love Songs for the Twenty-First Century
Bibliographic Data
| ID | 6047832 |
|---|---|
| Authors | Tamara Bernstein (corresponding author) |
| Year | 2013 |
| Volume | 22 |
| Issue | 3 |
| Pages | 19-35 |
| Publication date | 2013-02-20 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Circuit Musiques contemporaines (JOURNAL) |
| Journal identifiers | ISSN: 1183-1693 • E-ISSN: 1488-9692 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/1014226ar |
| OpenAlex | W2134476586 |
| Language | EN |
| Citations received | 2 |
Enchanted by the vocal music of Serbian-born Canadian composer Ana Sokolović, Tamara Bernstein visited the composer at her home in Montreal. Sokolović’s music draws on several sources, including the theatrical world and the culture of the Balkans. The extended vocal techniques in Sokolović’s music are rooted not in the avant-garde music of the twentieth century, but in the oral traditions and poetic voice of Serbia. It seems that the more the composer returns to her cultural roots, the more she embraces the universality of the human soul
Acoustics · Art · Art history · Call and response · Linguistics · Literature · Music education · Music history · Musical · Poetry · Serbian · Singing · Soul · Theology · Visual arts · Vocal music · Diverse Musicological Studies · Music · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.33 |
| Citation span | 2020 - 2022 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |