The Female Danjūrō
Revisiting the Acting Career of Ichikawa Kumehachi
Bibliographic Data
| ID | 6082003 |
|---|---|
| Authors | Loren Edelson (corresponding author) |
| Year | 2008 |
| Volume | 34 |
| Issue | 1 |
| Pages | 69-98 |
| Publication date | 2008-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Japanese Studies (JOURNAL) |
| Journal identifiers | ISSN: 0095-6848 • E-ISSN: 1549-4721 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jjs.2008.0022 |
| OpenAlex | W1987599767 |
| Language | EN |
| References cited | 4 |
Ichikawa Kumehachi (1846?–1913) is best remembered in the history of Japanese theater as the first female disciple of the renowned kabuki actor and head of the Naritaya house, Ichikawa Danjūrō IX. This article reconsiders the complex relationship of these two important actors, arguing that Kumehachi's career cannot be reduced simply to her association with Danjūrō. Although she received intangible benefits from this prestigious connection, her career was largely independent of his. Ultimately, she was typecast as an "old-school" kabuki actress and viewed as the "female Danjūrō," which precluded her from making her reputation in the emerging "new-school" genres
Art · Kabuki · Literature · Reputation · Social science · Sociology · Asian Culture and Media Studies · Gender Studies · Japanese History and Culture · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |