Hierarchy, Hubris, and Parody in Ihara Saikaku's Kōshoku ichidai otoko
Bibliographic Data
| ID | 6082865 |
|---|---|
| Authors | David J Gundry (corresponding author) |
| Year | 2017 |
| Volume | 43 |
| Issue | 2 |
| Pages | 355-387 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Japanese Studies (JOURNAL) |
| Journal identifiers | ISSN: 0095-6848 • E-ISSN: 1549-4721 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jjs.2017.0039 |
| OpenAlex | W2738879450 |
| Language | EN |
| References cited | 11 |
This article focuses on chapters in Kōshoku ichidai otoko in which condemnations of commoners' hubristic behavior are undermined by parodic passages rendering the text guilty of the rhetorical equivalent of what it condemns. It posits these contrasting elements as setting a pattern of tension between narratorial moralizing and the surrounding narrative typical of Ihara Saikaku's fiction. Elucidating Saikaku's intricate style, the article explores the range and functions of parody in his fiction, arguing that rather than ridiculing the elite texts it takes as its objects, Saikaku's parody functions primarily to transfer their prestige to the prosperous chōnin milieus depicted
Aesthetics · Art · Elite · Linguistics · Literature · Narrative · Political science · Politics · Prestige · Rhetorical question · Style (visual arts) · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · Japanese History and Culture · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |