No and Kyogen in the Contemporary World
Bibliographic Data
| ID | 6083243 |
|---|---|
| Authors | Carolyn Anne Morley (corresponding author), James R Brandon |
| Year | 1998 |
| Volume | 24 |
| Issue | 2 |
| Pages | 415 |
| Publication date | 1998-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Japanese Studies (JOURNAL) |
| Journal identifiers | ISSN: 0095-6848 • E-ISSN: 1549-4721 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.2307/133247 |
| OpenAlex | W657198895 |
| Language | EN |
| Citations received | 1 |
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the classic No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology
Art · Asian Culture and Media Studies · Japanese History and Culture · Theatre and Performance Studies
| Citations per year | 0.09 |
|---|---|
| Citation span | 2015 - 2015 (1) |
| Highly cited | No |