Miya Muslims of Assam

Identity, Visuality and the Construction of “Doubtful Citizens

Bibliographic Data

ID6085833
AuthorsShofiul Alom Pathan (0000-0002-1183-5498), Munmun Jha (0000-0003-4921-3878)
Year2022
Volume42
Issue1
Pages150-159
Publication date2022-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInstitute of Muslim Minority Affairs Journal (JOURNAL)
Journal identifiersISSN: 0266-6952 • E-ISSN: 1469-9591
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13602004.2022.2051947
OpenAlexW4220756608
LanguageEN
Citations received8

The stereotyping of the Miya Muslims as "illegal immigrants" is an everyday phenomenon in Assam, a state in the north eastern part of India. This paper seeks to understand this phenomenon in the context of British colonial politics and the history of migration in this region. The acrimonious question of citizenship is raised from time to time, especially in the course of political debates that attempt to identify "illegal citizens". This entails a dominant politics of aesthetics in the making of the unwanted or "doubtful Bangladeshis". This paper explores the construction of "doubtful Bangladeshis", based on certain visual attributes like lungi (sarong), dari (beard) and topi (skullcap). Interrogating the nuances of everyday visual identity, the paper argues that the stereotype of a "doubtful Bangladeshi" is manufactured and reproduced through upper class and caste aesthetics manufactured by Assamese nationalism, framed within a radicalized discourse

Aesthetics · Archaeology · Art · Assamese · Caste · Citizenship · Colonialism · Context (archaeology · Identity (music · Nationalism · Phenomenon · Political science · Politics · Sociology · State (computer science · Stereotype (UML · Anthropological Studies and Insights · Gender Studies · History · Law · Social Psychology · South Asian Cinema and Culture · South Asian Studies and Conflicts

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