The Catholic-Teochew Rhythm
Communal Identity in Hougang, 1945–1981
Bibliographic Data
| ID | 6086987 |
|---|---|
| Authors | Bryan Goh (0009-0008-0624-3982, corresponding author) |
| Year | 2018 |
| Volume | 33 |
| Issue | 1 |
| Pages | 227-264 |
| Publication date | 2018-03-30 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Social Issues in Southeast Asia (JOURNAL) |
| Journal identifiers | ISSN: 0217-9520 • E-ISSN: 1793-2858 |
| Publisher | ISEAS - Yusof Ishak Institute (PUBLISHER • SG) |
| DOI | 10.1355/sj33-1o |
| OpenAlex | W2801277508 |
| Language | EN |
| References cited | 3 |
Numerous interviews with Catholic Teochews in Hougang indicate the existence of a distinct communal identity in the period between the mid-1940s and the early 1980s. This common heritage of being Catholic Teochew is attributed to the prevalence of three institutions—church, family and school. The widespread influence of these institutions culminated in the emergence of a collective social memory of a routinized way of life. The idea of a Catholic-Teochew rhythm that embodies a distinct cultural identity forged in Singapore allows understanding of the narrative of the community of Teochew Catholics in Hougang. The amalgamation of Catholicism and Teochew culture paralleled the growth of the community. Similarly, the consolidation and eventual decline of traditions mirrored the fate of the enclave of Teochew Catholics in Hougang
Aesthetics · Art · Identity (music · Political science · Rhythm · Sociology · Asian Studies and History · Gender Studies · Philippine History and Culture · Socioeconomic Development in Asia
| Citation velocity | historical |
|---|---|
| Highly cited | No |