Tradition and Architectural Representation
Bibliographic Data
| ID | 6091124 |
|---|---|
| Authors | Paris Collége D'Etudes Mondiales (corresponding author), Marta Jecu (0000-0003-1322-9384, Institut d'Etudes Avancées Paris) |
| Year | 2017 |
| Volume | 22 |
| Pages | 39-55 |
| Publication date | 2017-11-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Martor The Museum of the Romanian Peasant Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1224-6271 • E-ISSN: 2734-8350 |
| Publisher | Muzeul National al Taranului Roman (PUBLISHER) |
| DOI | 10.57225/martor.2017.22.03 |
| OpenAlex | W4398778166 |
| Language | EN |
| References cited | 7 |
Very often tradition has been reinvented in order to legitimize a certain ideology, discourse or political agenda and representation has played a crucial role in this process. Any representation is itself the product of a row of representations, and moreover a tradition – a process through which content is transported and created. For Cadava (2001: 39) the image is never closed, content and form are often based on an invented genealogy. In this article, I propose to focus on architecture and the way in which political content and ideology have been transmitted through the images architecture produces. These are intended to represent and apparently ‘re-produce’ certain traditions. My examples will focus on both the discipline of architecture (specifically recent practices of recreation of vernacular architecture and construction techniques) and artistic approaches to architecture
Aesthetics · Art · Epistemology · Ideology · Political science · Politics · Sociology · Visual arts · Cultural Heritage Management and Preservation · Law · Mathematics · Philosophy · Public Spaces through Art · Visual Culture and Art Theory · Architecture
| Citation velocity | historical |
|---|---|
| Highly cited | No |