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Modern Trends in the Islamized Music of the Traditional Yorùbá Concept, Origin, and Development

Bibliographic Data

ID6091946
AuthorsMichael Olútáò Olátúnjí (corresponding author)
Year2012
Volume40
Issue1
Pages447-455
Publication date2012-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMatatu (JOURNAL)
Journal identifiersISSN: 0932-9714 • E-ISSN: 1875-7421
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/18757421-040001029
OpenAlexW2336066941
LanguageEN
Citations received1

Since the advent of Islam in Yorubaland in the seventeenth century, it has become an important phenomenon in the historical development of the Yorùbá race. This is also evident in the areas of musical cultures of the people. The conception of music differs from culture to culture. It therefore takes an open mind to recognize this and accept certain human behaviours as musical. The concept of music in Islamic worldview is guided by the ethics of Islamic religion. However, the concept of music of Yorùbá people has traditional backings, which differs from that of the 'missionaries' who brought Islam to the land. This concept is responsible for the hybridization of both Islamic and Yorùbá musical cultures. Both the primary and secondary sources of information collected and codified for this essay established that the contact and the harmony between Islamic and Yorùbá musical cultures produced new musical experience: i.e. islamized Yorùbá music, which is a vehicle not only for popularizing Yorùbá music but also for promoting it

Aesthetics · Art · Islam · Linguistics · Literature · Musical · Sociology · Visual arts · Yoruba · African history and culture analysis · Anthropology · Gender Studies · Hispanic-African Historical Relations · History · Language, Linguistics, Cultural Analysis · Philosophy

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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