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Embroidered Palestine

A Stitched Narrative

Bibliographic Data

ID6092352
AuthorsHagar Salamon (0000-0002-6946-7800, corresponding author), Hagar Salamon Hagar Salamon
Year2016
Volume3
Issue1
Pages1
Publication date2016-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNarrative Culture (JOURNAL)
Journal identifiersISSN: 2169-0235 • E-ISSN: 2169-0251
PublisherProject MUSE (PUBLISHER • US)
DOI10.13110/narrcult.3.1.0001
OpenAlexW2564250586
LanguageEN
Citations received10

Palestinian rich cross-stitch embroidery is considered the group’s “folk marker.” In the years following the dramatic events of 1948 and 1967, “Palestinian embroidery” gradually became a unifying form of grieving-creativity and national pride. The present article focuses on embroidered maps of Palestine, called Taṭrīz khārṭaṭ Falasṭīn, that are made by Palestinian women to be framed and hung on the walls of Palestinian homes.Based on in-depth interviews with Palestinian women in Jerusalem and its vicinity, it explores and analyzes the voices arising out of this style of embroidered narrative and approaches the source of its distinctive potency. Operating within the multinarrative sounding board of the Israeli-Palestinian conflict, this embroidered narrative is revealed as a potent folkloric site that is able to recruit traditional creativity in order to express political, national, and gender-related sentiments

Ancient history · Art · Literature · Narrative · Palestine · Visual arts · History · Public Spaces through Art

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Unique citing works10
Citations per year1,25
Citation span2018 - 2025 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 9

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Open DOIOpen Access
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