Between magnificence and monstrosity
Turkishness in recent popular cinema
Bibliographic Data
| ID | 6093589 |
|---|---|
| Authors | Asuman Suner (Istanbul Technical University, corresponding author) |
| Year | 2011 |
| Volume | 45 |
| Pages | 123-154 |
| Publication date | 2011-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Perspectives on Turkey (JOURNAL) |
| Journal identifiers | ISSN: 0896-6346 • E-ISSN: 1305-3299 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0896634600001333 |
| OpenAlex | W2482413259 |
| Language | EN |
| Citations received | 9 |
| References cited | 20 |
This paper studies the idea of Turkishness as one thematic element that commonly characterizes recent Turkish box-office champions. The preoccupation with the idea of Turkishness in recent popular cinema can be seen as a reflection of Turkish society's bafflement with the process of rapid and intensive transformation during the 2000s. In this period, Turkish society has grown increasingly confused about how to assess its own worth in the contemporary world. The paper makes use of the terms “magnificence” and “monstrosity” to make sense of the excessive representations of Turkishness in Turkish box-office champion action films and comedies of the second half of the 2000s. The term “magnificence” stands for aspirations in Turkish society during the last decade about the revival of the glory of the Ottoman past and becoming a powerful actor again on the world scene. The term “monstrosity” is employed in relation to Turkish society's cynical indifference to the violence perpetrated by the Turkish state, which is often rendered acceptable through the presumption of “Turkish peculiarity.” The paper points to the continuity between recent blockbuster action films and comedies in their representations of Turkishness by suggesting that magnificence and monstrosity appear in these films as two sides of the same coin
Aesthetics · Art · Champion · Glory · Literature · Movie theater · Political science · Sociology · Turkish · Balkans: History, Politics, Society · Gender Politics and Representation · History · Law · Philosophy · Turkey's Politics and Society
Identity and Success in Turkish Cinema
Powerful women, postfeminism, and fantasies of patriarchal recuperation in Magnificent Century
Turkish Rambo” Going Transnational
Ottomentality
Trees and umbrellas
Critics, politics and cultural legitimation
Open-Air Cinemas of Istanbul From the 1950s to Today
Cem Yilmaz, national stardom, transnational comedy
Considering masculinities at forest fires
Faces of the State
Passive Revolution
Secular and Islamic politics in Turkey
Between Europeanization and Euro‐Asianism
Transformation of Turkish Islamism and the Rise of the Justice and Development Party
Nationalist Discourses in Turkey
The strategic depth doctrine of Turkish foreign policy
Prospective-Turks" or "Pseudo-Citizens
Friends No More? The Rise of Anti-American Nationalism in Turkey
Occidentalism in Turkey
Islamist Parties and Democracy
Pakistan After Musharraf
Modernization, Globalization and Democratization in Turkey
A Deep Fissure is Revealed after Hrant Dink's Assassination
New Turkish Cinema
Denationalization of Citizenship? The Turkish Experience1
Occidentalism
| Citations per year | 0.75 |
|---|---|
| Citation span | 2014 - 2024 (11) |
| Highly cited | No |