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Polluted places

Harbours and Hybridity in Archaeology

Bibliographic Data

ID6094574
AuthorsTori Falck (0000-0002-9863-9616, Russian State Agrarian Correspondence University, corresponding author)
Year2003
Volume36
Issue2
Pages105-118
Publication date2003-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNorwegian Archaeological Review (JOURNAL)
Journal identifiersISSN: 0029-3652 • E-ISSN: 1502-7678
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00293650310000641
OpenAlexW2096994585
LanguageEN
Citations received3
References cited21

What is the role of archaeology in a globalized and postcolonial world? The concept of cultural hybridity is here proposed as a viable approach to re‐evaluate the impurity of cultural expressions within the archaeological discourse. There are three major motives for doing so: 1) as a critique of the idea of cultural essentialism, 2) as a means to provide a new understanding of the harbour as an archaeological locality and 3) as a way of breaking down the boundary created by the modern project between the images of the mobile modern (and rational) being and the immobile (and irrational) pre‐modern native. Why do we get so much pleasure out of being so different not only from others but from our own past? (Latour 1993:114) Isn't the past a foreign country; isn't archaeology to write about the ‘others’ (...)? (Solli 1996 Solli B. 1996 Fortiden er et annet sted. Om arkeologi og kulturminnevern, røtter og føtter. Norsk Antropologisk Tidsskrift 2 79 90 [Google Scholar]:88, my translation)

Aesthetics · Archaeology · Art · Essentialism · Hybridity · Identity (music) · Irrational number · Pleasure · Sociology · Anthropological Studies and Insights · Anthropology · Cultural Heritage Management and Preservation · Global Maritime and Colonial Histories · History

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Unique citing works3
Citations per year0,6
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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