The threatening nature of “rap” music
Bibliographic Data
| ID | 6111139 |
|---|---|
| Authors | Adam Dunbar (0000-0002-1560-104X, University of California, Irvine), Charis E Kubrin (0000-0002-0600-0875, University of California, Irvine), Nicholas Scurich (0000-0001-6370-9189, University of California, Irvine) |
| Year | 2016 |
| Volume | 22 |
| Issue | 3 |
| Pages | 280-292 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Psychology Public Policy and Law (JOURNAL) |
| Journal identifiers | ISSN: 1076-8971 • E-ISSN: 1939-1528 |
| Publisher | American Psychological Association (APA) (PUBLISHER) |
| DOI | 10.1037/law0000093 |
| OpenAlex | W2513507440 |
| Language | EN |
| Citations received | 17 |
Rap music has had a contentious relationship with the legal system, including censorship, regulation, and artists being arrested for lewd and profane performances. More recently, rap lyrics have been introduced by prosecutors to establish guilt in criminal trials. Some fear this form of artistic expression will be inappropriately interpreted as literal and threatening, perhaps because of stereotypes. Only a handful of studies have examined whether rap lyrics are evaluated using stereotypes, yet these studies were conducted in the 1990s-a period of heightened scrutiny for rap-and used nonoptimal methods. This study presents 3 experiments that examine the impact of genre-specific stereotypes on the evaluation of violent song lyrics by manipulating the musical genre (rap vs. country) while holding constant the actual lyrics. Study 1, a direct replication of previous research, found that participants deemed identical lyrics more literal, offensive, and in greater need of regulation when they were characterized as rap compared with country. Study 2 was a conceptual replication (i.e., same design but different stimuli), and again detected this effect. Study 3 used the same approach but experimentally manipulated the race of the author of the lyrics. A main effect was detected for the genre, with rap evaluated more negatively than country or a control condition with no label. However, no effects were found for the race of the lyrics' author nor were interactions were detected. Collectively, these findings highlight the possibility that rap lyrics could inappropriately impact jurors when admitted as evidence to prove guilt
Art · Harm · Literature · Lyrics · Musical · Offensive · Political science · Scrutiny · Singing · Hate Speech and Cyberbullying Detection · Law · Music and Audio Processing · Music History and Culture · Psychology · Social Psychology
Code of the Street 25 Years Later
Character judgements of rap music fans
Stereotype Threat Among Black Men Following Exposure to Rap Music
‘It’s tantalising evidence . . . . but you’ve got to look at the wider picture’
Rap music, race, and perceptions of crime
A guilty pleasure
Unblurring the lines
Hip-hop and education
Maybe if they let us tell the story I wouldn’t have gotten suspended”
Afrobeats, Moral Disengagement and the Cultural Politics of Online Fraud
The (non)offensive nature of “white power” music, a research note
Prosecuting rap
Expert or advocate? The role(s) of the expert witness when rap is on trial
Freestyling in war and peace
Art or Confession
Rap Lyrics as Evidence
Managing Popular Culture Stigmas
| Unique citing works | 17 |
|---|---|
| Citations per year | 2,13 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 17 |