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Io posso offrirle soltanto l'immenso calore del mio affetto

Masculinity in Italian Cinematic Melodrama

Bibliographic Data

ID6127629
AuthorsClaudio Bisoni (University of Bologna, corresponding author)
Year2015
Volume35
Issue2
Pages234-247
Publication date2015-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Italianist (JOURNAL)
Journal identifiersISSN: 1748-619X • E-ISSN: 0261-4340
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/0261434015z.000000000118
OpenAlexW1606725386
LanguageIT
Citations received1
References cited2

This article addresses the representation of masculinity in Italian film melodrama of the 1950s. The introduction outlines the reasons for which Italian film studies has tended to focus above all on female characters in this popular genre. The subsequent argument is structured in four parts. In the first, I offer a typology of the various masculinities employed within these films. In the second, I examine the relationship between the dominant models of masculinity in the melodrama and socio-political changes in gender dynamics that took place in Italy during the 1940s and ’50s. In relation to two examples (Traviata ’53, L’angelo bianco), in the third I analyse the ways in which melodrama, in its representation of a masculinity in crisis that is opposed to fascist virility, engages with emasculation. The conclusive fourth section offers a brief reflection on the relationship between male desire and the melodramatic trope of the suffering heroine

Aesthetics · Argument (complex analysis · Art · Humanities · Literature · Masculinity · Political science · Politics · Representation (politics · Sociology · Trope (literature · Typology · Virility · Anthropology · Cinema and Media Studies · European history and politics · Gender Studies · Italian Fascism and Post-war Society · Law

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    Linda Williams•Cinema Journal•1984

Unique citing works1
Citations per year0,11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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