Introduction The Banda della Magliana, The Camorra, The ’Ndrangheta, and the Sacra Corona Unita
The Mafia Onscreen Beyond the Cosa Nostra
Bibliographic Data
| ID | 6127692 |
|---|---|
| Authors | Dana Renga (0000-0001-8399-2006, The Ohio State University, corresponding author), Allison Cooper (0000-0002-5738-3562, The Ohio State University) |
| Year | 2013 |
| Volume | 33 |
| Issue | 2 |
| Pages | 190-200 |
| Publication date | 2013-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Italianist (JOURNAL) |
| Journal identifiers | ISSN: 1748-619X • E-ISSN: 0261-4340 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1179/0261434013z.00000000043 |
| OpenAlex | W1989717568 |
| Language | EN |
With its late spring release in 2008, acclaimed hit Gomorra (Matteo Garrone)1 secured a stronghold for the Camorra2 in the international imaginary and provided a visual counterpoint to Roberto Savi
Art · Counterpoint · Humanities · Physics · Sociology · Spring (device · The Imaginary · Italian Fascism and Post-war Society · Psychology
| Highly cited | No |
|---|