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Self-Reflective Devices InPrima di sparire

Metafiction, autofiction and autobiography in the pivotal book of Covacich'sciclo delle stelle

Bibliographic Data

ID6128178
AuthorsMara Santi (0000-0002-9462-1689, Ghent University, corresponding author)
Year2015
Volume35
Issue3
Pages426-439
Publication date2015-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Italianist (JOURNAL)
Journal identifiersISSN: 1748-619X • E-ISSN: 0261-4340
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/0261434015z.000000000133
OpenAlexW2173594865
LanguageEN
Citations received1

The aim of this paper is to describe Mauro Covacich's use of self-reflective devices, such as metafiction, autofiction, and autobiography in Prima di sparire, where the author focuses his analysis on the crisis of identity of the contemporary subject, and represents his own crisis on the one hand as a writer and on the other hand as an ordinary person. In this essay, a short introduction to Covacich's novelist production will contextualize the study of his narrative self-reflectiveness, which will be followed by the discussion of one passage of Prima di sparire, where both the fictional and the self-reflective paths of the authorial quest emerge. The final part of the essay will focus Covacich's theoretical considerations on autofiction in contemporary literature

Aesthetics · Art · Biography · Epistemology · Focus (optics · Identity (music · Literature · Metafiction · Narrative · Physics · Psychoanalysis · Self · Subject (documents · Computer Science · Italian Literature and Culture · Linguistic Studies and Language Acquisition · Philosophy · Psychology

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    Open Access•Andrea PUSKÁS•Acta Universitatis Sapientiae…•2024

Unique citing works1
Citations per year0.5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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