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Crippled feet

Sadism in Lars von Trier's Antichrist

Bibliographic Data

ID6129679
AuthorsSiri Erika Gullestad (0000-0003-3439-9438, a Department of Psychology , Box 1094, Blindern, 0317 , Oslo , Norway E-mail, corresponding author)
Year2011
Volume34
Issue2
Pages79-84
Publication date2011-01-01
Open AccessNo
TypeARTICLE
VenueThe Scandinavian Psychoanalytic Review (JOURNAL)
Journal identifiersISSN: 0106-2301 • E-ISSN: 1600-0803
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01062301.2011.10592890
OpenAlexW2318904122
LanguageEN
References cited2

Critics of Lars von Trier's film Antichrist have regarded the depicted woman's destructive fury as difficult to understand. In this paper, separation anxiety is discussed as a central unconscious motivation behind the aggressive interaction between husband and wife, and the child is discussed as an obstacle to the mother's exclusive relationship with her husband. The film powerfully conveys how sadistic aggression is unconsciously acted out between mother and son, as symbolized by the mother's crippling of her son's feet. The woman's violence is also a reaction to a her husband “therapist” who, wishing to correct her, fails to understand and contain her inner world, wherefore the therapeutic dialogue itself, disguised as help, is experienced as violently aggressive. This in turn engenders a wish for revenge. Against this background, the film is seen as a critique of cognitively oriented therapy

Aggression · Art · Literature · Personality · Personality disorders · Psychoanalysis · Psychotherapist · Sadistic personality disorder · Unconscious mind · Wife · Wish · Philosophy · Psychoanalysis and Social Critique · Psychology · Psychology, Coaching, and Therapy · Psychotherapy Techniques and Applications · Social Psychology

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Highly citedNo

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