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The creative room

Bibliographic Data

ID6130187
AuthorsElse-Britt Kjellqvist (a Fåröglo, Tjockö, Pl 61, S-760 15 , Gräddö , Sweden, corresponding author)
Year1996
Volume19
Issue2
Pages165-179
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Scandinavian Psychoanalytic Review (JOURNAL)
Journal identifiersISSN: 0106-2301 • E-ISSN: 1600-0803
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01062301.1996.10592368
OpenAlexW1975854590
LanguageEN
References cited2

The creative room refers to the area that arises when the third areas (intermediate spaces) of analyst and analysand overlap. This involves a partial union of the intermediate spaces of self and object. This overlapping space, the creative room, accommodates reflective observance as well as devoted association. A prerequisite for the creative room is the created room, the analytical framework. Other requirements concern properties of the analyst's and the patient's intermediate areas and their interrelationship. These circumstances are examined in the light of clinical examples. The primary concern, however is the absence of the third, when the creative room does not arise or rather, various positions of self and object around the point where the third either fails to arise or is eliminated. In a concluding section, there is an example of the creative room being extended in time for the continued creativity of the two parties (Bion and Beckett) for the rest of their lives

Aesthetics · Art · Creativity · Epistemology · Geometry · Linguistics · Object (grammar) · Point (geometry) · Rest (music) · Space (punctuation) · Visual arts · Artificial Intelligence · Computer Science · Mathematics · Medicine · Neurology and Historical Studies · Pain Management and Placebo Effect · Philosophy · Psychology · Psychotherapy Techniques and Applications · Social Psychology

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  • The Transitional Object and the Creative Act

    Arnold H Modell•The Psychoanalytic Quarterly•1970

Citation velocityhistorical
Highly citedNo

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