The ontological politics of artistic interventions
Implications for performing action research
Bibliographic Data
| ID | 6134366 |
|---|---|
| Authors | Timon Beyes (0000-0001-7114-2717, Leuphana University of Lüneberg, Germany), Chris Steyaert (0000-0001-9760-2355, University of Sankt Gallen, Switzerland) |
| Year | 2011 |
| Volume | 9 |
| Issue | 1 |
| Pages | 100-115 |
| Publication date | 2011-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Action Research (JOURNAL) |
| Journal identifiers | ISSN: 1476-7503 • E-ISSN: 1741-2617 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1476750310396944 |
| OpenAlex | W2055542317 |
| Language | EN |
| Citations received | 26 |
| References cited | 24 |
The aim of our article is to reflect upon intervention as a threshold where art and action research meet. For this, we will relate calls to apply the capacity of the performing arts to the social sciences to examples of neo-avant-garde art practices which show a renewed interest in (intervening into) the everyday production of public space. We recount and analyze two vignettes of artistic interventions to illustrate the politico-aesthetic power of art to interfere with how the social is assembled and to provoke new constellations of what is visible and sayable. Such experimental forms of engaging with the public raise the issue of a minoritarian politics of participation. Rather than being just another tool in the researcher’s toolkit, taking into account these practices can illustrate and inform certain dimensions of what could be called performative action research
Action (physics · Action research · Aesthetics · Art · Epistemology · Intervention (counseling · Pedagogy · Performative utterance · Performing arts · Political science · Politics · Power (physics · Psychological intervention · Sociology · The arts · Visual arts · Artistic and Creative Research · Computer Science · Management and Organizational Studies · Participatory Visual Research Methods · Psychology
Performing the Digital
'Making-With' in Music Education
Disrupting Colonial Narratives of Place
Imagining a sustainable future
Social Entrepreneurship and Social Business
Ecologising the Research Image
Autre chose”
Students’ views on expanding contours of social work practice through spirituality
Gat- her -ing at the dinner table
Insurrection training for post-human politics
Spatially organizing future genders
Knowledge-ing as a response-able practice in the Anthropocene
Spacing organization
Making a Difference Through Atmospheres
Strangely Familiar
Subterranean subalterns
It’s a Mindset Revolution! Co-creating inclusive spaces of participation on youth mental health
Encountering methodology through art
Community intervention in urban areas
Love as an energizing feature of action research for territorial development
Visualizing loss and agency with the families of missing migrants of the Mediterranean
Artfulness as a dimension of professional practice in organizations and action research
On the verge of displacement
Methodological rift
After Herzog
Whose home is it anyway? Performing multiple selves while doing organizational ethnography
Relational aesthetics
One Place after Another
Action research
Uncontained
Presentational Form in First Person Research
Performance and
After Method
A thousand plateaus
Recipe or performing art
Action research literature 2006—2008
Introducing issue 7(2)
The cyclical process of action research
New action research techniques
The Nature of Op Art
Dead Geographies-And How to Make Them Live
Afterword
Driving in the City
Ontological Politics. A Word and Some Questions
Justifying Theatre in Organisational Analysis
Oppression, Art and Aesthetics
Enacting the social
| Unique citing works | 26 |
|---|---|
| Citations per year | 1,73 |
| Citation span | 2011 - 2026 (16) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 26 |