De «patêgos» e «saltins
Itinerância, Fronteira E Comunidade No Circo
Bibliographic Data
| ID | 6136327 |
|---|---|
| Authors | Maria João Lobo Antunes (0000-0001-7657-7947, San Antonio College, corresponding author) |
| Year | 2001 |
| Volume | 18 |
| Pages | 71-91 |
| Publication date | 2001-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Antropologia Portuguesa (JOURNAL) |
| Journal identifiers | ISSN: 0870-0990 • E-ISSN: 2182-7982 |
| Publisher | Coimbra University Press (PUBLISHER • PT) |
| DOI | 10.14195/2182-7982_18_4 |
| OpenAlex | W2472954026 |
| Language | PT |
| References cited | 2 |
Why is circus itinerant?It is certainly much more than the imperative to survive or a requirement of the performative genre itself.This article proposes that the itinerancy of circus companies is an established way of life, handed down from generation to generation, as a part of reproductive strategy that articulates family organization, professional standing and spatial mobility.By following the various moments within a journey, vve shall try to understand the manner through which itinerancy becomes part oftlie lives ofthese people, providing 1 1 Este artigo resulta da reformulação de um argumento desenvolvido na minha tese de mestrado (Antunes, 1997
Aesthetics · Art · Epistemology · Perception · Performative utterance · Sociology · Visual arts · Cultural, Media, and Literary Studies · Philosophy · Physical Education and Sports Studies · Urban and sociocultural dynamics
| Citation velocity | historical |
|---|---|
| Highly cited | No |