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The poetics and prosaics of making exhibition

A personal reflection on the Centenary Gallery

Dados Bibliográficos

ID6136348
AutoresNicky Levell (autor correspondente)
Ano2001
Volume18
Páginas151-194
Data de publicação2001-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoAntropologia Portuguesa (JOURNAL)
Identificadores do periódicoISSN: 0870-0990 • E-ISSN: 2182-7982
EditoraCoimbra University Press (PUBLISHER • PT)
DOI10.14195/2182-7982_18_8
OpenAlexW2460410316
IdiomaEN
Citações recebidas2

By selecting and describing different life-stages in the production of one particular exhibition - the permanent ethnographic displays in the Centenary Gallery of the Homiman Museum, London - this paper examines the dialogical nature of exhibition making. From curatorial conception, through design, to the Museum's corporate modifications, the role of the curator as dominant producer is problematised and the differentiated languages of museum practice are interrogated. Attention is particularly focused on the intersections and interactions between and across these different professional languages which serve to constitute, transform and fix exhibitionary media

Aesthetics · Art · Art gallery · Art history · Dialogical self · Epistemology · Ethnography · Exhibition · Literature · Media studies · Poetics · Poetry · Reflection (computer programming · Sociology · Visual arts · Anthropology · Computer Science · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · Museums and Cultural Heritage · Philosophy

  • Borders and Interruptions

    Open Access•G Isaac, Diana E Marsh et al.•Museum Worlds•2019

  • Site-specificity and dislocation

    Open Access•Nicola Levell•Journal of Material Culture•2013

Obras citantes distintas2
Citações por ano0,15
Intervalo de citações2013 - 2019 (7)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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