Reclaiming Indigenous Identity through Animal Advocacy In Art
Adrian Stimson and Dana Claxton
Bibliographic Data
| ID | 6148844 |
|---|---|
| Authors | Luba Stephania Kozak (corresponding author) |
| Year | 2019 |
| Volume | 10 |
| Issue | 2 |
| Pages | 69-94 |
| Publication date | 2019-02-07 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Humanimalia (JOURNAL) |
| Journal identifiers | ISSN: 2151-8645 • E-ISSN: 2151-8645 |
| Publisher | Humanimalia, Utrecht University (PUBLISHER) |
| DOI | 10.52537/humanimalia.9502 |
| OpenAlex | W4236323197 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
The buffalo is an animal of utmost importance in many Plains Indigenous tribes that holds great historical and spiritual significance. This paper analyzes the representation of the buffalo in the artworks of First Nations artists Adrian Stimson and Dana Claxton, with excerpts from an exclusive interview with Stimson. Through an observation of cross-species encounters in the work of Stimson and Claxton, this paper demonstrates how art can be used as a medium for animal advocacy by situating the non-human within a cultural context, which contributes to the concept of human identity and illustrates alternative Niitsapi perspectives. Posthumanist thought, as well as Indigenous perspectives on human and non-human relations that challenge the decolonizing of posthumanist ideals, will frame the arguments posed in this paper to explore issues of colonial trauma, Indigenous identity, and animal rights
Aesthetics · Archaeology · Art · Colonialism · Context (archaeology · Environmental ethics · Geography · Human animal · Identity (music · Indigenous · Political science · Politics · Representation (politics · Sociology · Anthropology · Gender Studies · Geographies of human-animal interactions · History · Law · Philosophy · Ecology
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |