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Challenges and opportunities in preserving intangible cultural heritage

Lessons from the Demoscene

Bibliographic Data

ID6176164
AuthorsAndrzej Lichnerowicz (0000-0002-3297-8922, corresponding author), Maciej Grzeszczuk (0000-0002-9840-3398), Kinga Skorupska (0000-0002-9005-0348)
Year2024
Volume63
Pages217-234
Publication date2024-09-16
Open AccessYes
TypeARTICLE
VenueŁódzkie Studia Etnograficzne (JOURNAL)
Journal identifiersISSN: 2450-5544 • E-ISSN: 0076-0382
PublisherPolish Ethnological Society (PUBLISHER • PL)
DOI10.12775/lse.2024.63.12
OpenAlexW4402616192
LanguageEN
Citations received1

The Demoscene is a pioneering digital culture and an art form. Its roots in Poland date back to the mid-1980s. In 2019, the Polish Demosceners, alongside their Finnish and German counterparts in the Art of Coding campaign, embarked on an initiative to advocate for the recognition of the Demoscene by UNESCO. This move highlighted the tension between the inherently decentralised and demarcating nature of the Demoscene and formal requirements of cultural heritage preservation. In this paper, we present a brief overview of the Demoscene, combining personal observations from the UNESCO enlisting process with insights gathered from a supportive study conducted among Demoscene community members. The results of this study are presented in the context of digital preservation challenges in various domains, offering a comparative perspective. The paper concludes with some insights into what information to store alongside the Demoscene productions themselves and outlines potential further work, addressing both current and emerging challenges faced by the Demoscene community

Archaeology · Business · Cultural heritage · Geography · Intangible cultural heritage · Knowledge management · Computer Science · Cultural Heritage Management and Preservation

  • The Demoscene

    Ivo Furman, Ivo Ozan Furman et al.•International Journal of Heritage…•2026

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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