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Homecomings

Black Women’s Mobility in Early African American Fiction

Bibliographic Data

ID6187680
AuthorsAnna Pochmara (0000-0002-8860-687X, corresponding author)
Year2020
Volume15
Issue2
Publication date2020-06-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherOpenEdition (PUBLISHER)
DOI10.4000/ejas.16001
OpenAlexW3039081950
LanguageEN
References cited39

In this article, I examine the patterns of black female mobility as represented in three African American mulatta novels: William Wells Brown’s Clotel (1853), Frances Ellen Watkins Harper’s Iola Leroy (1893), and Pauline Elizabeth Hopkins’s Hagar’s Daughter (1901-1902). First of all, I discuss their protagonists’ movement into bondage and forced travel resulting from the withdrawal of their father’s protection. Such imposed mobility is countered by the self-determined action undertaken by the black heroines not only to free themselves but also to reunite their families. As a result, their itineraries are circular rather than linear and frequently take the form of a homecoming. In contrast to the paradigm of the traditional slave narrative, which focuses on a single individual, the novels I analyze simultaneously follow two or three generations of family members. Such representations result in a chaotic aesthetics that successfully depicts the unpredictability of the fate of black families under slavery, and it foregrounds the relationality of the novels’ characters

Art · Genealogy · Literature · American and British Literature Analysis · History · Latin American and Latino Studies · Postcolonial and Cultural Literary Studies

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Citation velocityhistorical
Highly citedNo

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