Antonín Zita, How We Understand the Beats
The Reception of the Beat Generation in the United States and the Czech Lands
Bibliographic Data
| ID | 6187928 |
|---|---|
| Authors | Erik Mortenson |
| Year | 2019 |
| Publication date | 2019-10-23 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Journal of American Studies (JOURNAL) |
| Journal identifiers | ISSN: 1991-9336 • E-ISSN: 1991-9336 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/ejas.14854 |
| OpenAlex | W2982405224 |
| Language | EN |
Antonín Zita, How We Understand the Beats: The Reception of the Beat Generation in the United States and the Czech Lands Brno: Masarykova Univerzita, 2018. Pp. 200. ISBN 978-80-210-9048-4. Erik Mortenson The label “Beat” means many different things to many different people. So how do you make sense of a group of writers who exist as both a global social phenomenon and a multi-generational literary movement? Antonín Zita attempts to answer this question by placing the Beats’ postwar reception
Acoustics · Art · Beat (acoustics · Czech · Epistemology · Linguistics · Literature · Phenomenon · Physics · Education, Psychology, and Social Research · Folklore, Mythology, and Literature Studies · Religious, Philosophical, and Educational Studies · History · Philosophy
| Highly cited | No |
|---|