Good Work and Good Works

Drawing on what American short story writer and novelist George Saunders has described as the urge toward kindness in his work, as well as its myriad allusions to Christian symbology and religiosity, this paper explores the intersection of languages of labour or “work” and religious tensions in Saunders’ oeuvre. Reading the stories of Saunders’s first collection, CivilWarLand in Bad Decline, through the lens of postsecular literary theory and Saunders’s own comments on Catholicism, we suggest that Christianity, for Saunders, is a double-edged sword: crucial to his social critique of the power structures of post-industrial, postmodern life, and yet ultimately prone, in its institutionalized forms, to cooptation by those very same power structures. Saunders’s “Center for Wayward Nuns” is a potent metaphor in the sense that it suggests that doubt and lack of agency endemic to a fragmented postmodern world do not absolve us of our ethical responsibility, and thus the Christian overtones of Saunders’ work are engaged in a compelling kind of double-critique: both of the “un-Christian” social realities of the world in which Saunders’ working poor toil, but also of the kind of extremist, fundamentalist—even corporatized—Christianity that may emerge out of those social realities

Aesthetics · Agency (philosophy · Christianity · Epistemology · Metaphor · Postmodernism · Power (physics · Sermon · Social science · Sociology · Theology · Contemporary Literature and Criticism · Philosophy · Political and Economic history of UK and US · Religious studies · Utopian, Dystopian, and Speculative Fiction · Religious Studies

• A generation of seekers

  Bruce Greer, Mary Johnson et al.•A generation of seekers•1993

  Add to list

• George Saunders and the Postmodern Working Class

  David P Rando•Contemporary Literature•2012

  Add to list

• Introduction

  Peter Coviello, Jared Hickman•American Literature•2014

  Add to list