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Why Don’t You Just Say It as Simply as That

The Progression of Parrhesia in the Early Novels of Joseph Heller

Bibliographic Data

ID6188366
AuthorsPeter Templeton (0000-0002-1339-7612, Loughborough University, corresponding author)
Year2016
Volume11
Issue2
Publication date2016-08-11
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherOpenEdition (PUBLISHER)
DOI10.4000/ejas.11573
OpenAlexW2517693103
LanguageEN
Citations received3
References cited14

This article combines Foucault’s exploration of the ancient Greek concept of parrhesia with the novels of Joseph Heller to attempt to arrive at a more complete critical position for an author whose work, aside from his first novel, is often critically neglected. The article explores the way in which Heller’s writing progresses over his first three novels, becoming more explicit in its social critique. It also explores his uses dark humor—a popular device for comics, authors and filmmakers in the period—in his first three novels to preach against the way that American systems of a military, political, or corporate nature control the actions of supposedly free citizens, through intricate bureaucratic webs which border or tip into absurdism, and the fear which stems from the underlying covert threat to the citizen’s wellbeing

Art · Literature · Communism, Protests, Social Movements · German History and Society · History · Literature and Cultural Memory · Philosophy

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Unique citing works3
Citations per year0,6
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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Open DOIOpen Access
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