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A Brief History of Pin-Making

Bibliographic Data

ID6214389
AuthorsImraan Coovadia (corresponding author)
Year2008
Volume35
Issue1
Pages87-105
Publication date2008-04-01
Open AccessNo
TypeARTICLE
VenuePolitikon (JOURNAL)
Journal identifiersISSN: 0258-9346 • E-ISSN: 1470-1014
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02589340802113097
OpenAlexW2036729946
LanguageEN
References cited14

Reduced to journalistic cliché in our own time, Adam Smith's writing made up an important part of the cultural competence of a late eighteenth or early nineteenth-century intellectual. The article follows the most important of the illustrations Smith used. It studies the variants of the pin factory, the key image of mass production, from Chamber's Cyclopaedia (1728) to its definitive incarnation in The Wealth of Nations and then as it saturates nineteenth-century representations of labour, in Godwin, Hegel, de Tocqueville, Robert Owen, Charles Babbage, and Charlotte Tonna, amongst others. It suggests that the fine variations in the image (for instance, the number of operations it is supposed to require to manufacture a pin) correspond with, and reveal, each author's specific polemical and historical contexts. Moreover, it argues that the revisions of the image in the hands of so many readers of Smith constitute a process of ideological self-reflection through which the meanings of modernity were comprehended

Aesthetics · Art · Art history · Epistemology · Hegelianism · Ideology · Incarnation · Key (lock · Literature · Making-of · Management · Modernity · Political science · Sociology · Theology · Computer Science · Historical Art and Culture Studies · History · Law · Philosophy

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